Jenifer Carll-Tong is the best-selling author of historical Christian romances and co-host of the Christian Indie Writers’ Podcast.
Episode 104: Improve Your Writing with Framing
“I’ve been framed,” she said, casting her hand across her brow.
“What do you mean?” he asked, “do you mean someone put a rectangle of wood around you and hung you on the wall?”
“Of course not,” she snapped.
“Do you mean someone has nailed yo to two-by-fours and other wood in order to make the foundation of their future domicile?”
“Don’t be silly!”
Hey Christian Indies,
You’ll likely agree with me that this is a ridiculous premise. Still, when the topic of “framing your story” came up, all of us Co-hosts were not sure exactly what we should include in the episode. We all sort of scratched our heads and asked, “what do you mean?”
Well, Indies, we’ve since wrapped our minds a bit more around the concept, and we’ve determined that what each writer could use, on occasion, is a bit of a “refresher” on what actually makes a story stand as, well, a story.
So tune in and learn more about what it means to frame a story.
See you there,
Jamie
Episode 98: Indescribable: Improving Physical Descriptions in your writing
Hey Christian Indies!
Have you ever stared into a swimming pool? Or a pool of rainwater, collected on the sidewalk? What about the pool of condensation on the corner of your coffee table?
You haven’t?
I haven’t, either.
But, I’ve noticed my protagonists love staring into pools – big brown ones, icy blue ones, deep amber ones – they seem to delight in lovingly gazing into them all.
Of course, I’m talking about human eyes, so often described in literature as “pools.”
The other hosts and I were talking about this oddity, and it seemed the situation was chronic – their characters, too, spent an inordinate amount of time staring into pools. Eventually, we discovered the problem was not with our characters, but with us, the writers. We’d gotten into an eyeball description rut: we’d run into a staring scene, and, well, the word, “pools” was just convenient. It was also familiar, “tried and true,” if you will, guaranteed not to raise brows.
The more we examined this issue, the more we realized that eyes were not the only physical feature we had difficulty describing with any sort of originality whatsoever.
Thus, episode #98 was born. In it, we hope to broaden your (and our own!) horizons, so to speak, when it comes to providing physical descriptions of characters in (y)our novels.
See you on the podcast,
Jamie